Part 10 – Granular Synthesis & Sample Processing.Part 8 – Step Sequencers & Envelope Generators.As for pitching snippets and recordings of the human voice or your own foley recordings, and combining these pitched samples with some of the other techniques we’ve discussed so far in this series - layering, distortion and modulation, for example - well, both your existing sample library and the recorded world around you become a sound designers sonic playground.Ĭatch up on the other parts in the series:
Hi hats can become rumbling cinematic Taiko drums kicks can become high-pitched glitchy click percussion hits. Pitch is one of the absolute fundamental components of a sound, so in this post we’re going to take a look at some of the options for creatively messing with the pitch of your sounds.
